Exit Pursued by a Bear Productions present ‘Our Little World’ by Owen Roe and Michelle Forbes, directed by Ireland's leading maker of Immersive Theatre, ANU's Louise Lowe. Starring Hazel Clifford, Gillian McCarthy, Michael Glenn Murphy and Robbie O’Connor. Meet Ziggy, Florian and MakeMake as they introduce you to a magical place hidden in plain sight.
Exit Pursued by a Bear Productions present ‘Our Little World’ by Owen Roe and Michelle Forbes, directed by Ireland's leading maker of Immersive Theatre, ANU's Louise Lowe. Starring Hazel Clifford, Gillian McCarthy, Michael Glenn Murphy and Robbie O’Connor. Meet Ziggy, Florian and MakeMake as they introduce you to a magical place hidden in plain sight.
Exit Pursued by a Bear Productions present ‘Our Little World’ by Owen Roe and Michelle Forbes, directed by Ireland's leading maker of Immersive Theatre, ANU's Louise Lowe. Starring Hazel Clifford, Gillian McCarthy, Michael Glenn Murphy and Robbie O’Connor. Meet Ziggy, Florian and MakeMake as they introduce you to a magical place hidden in plain sight.
Exit Pursued by a Bear Productions present ‘Our Little World’ by Owen Roe and Michelle Forbes, directed by Ireland's leading maker of Immersive Theatre, ANU's Louise Lowe. Starring Hazel Clifford, Gillian McCarthy, Michael Glenn Murphy and Robbie O’Connor. Meet Ziggy, Florian and MakeMake as they introduce you to a magical place hidden in plain sight.
Exit Pursued by a Bear Productions present ‘Our Little World’ by Owen Roe and Michelle Forbes, directed by Ireland's leading maker of Immersive Theatre, ANU's Louise Lowe. Starring Hazel Clifford, Gillian McCarthy, Michael Glenn Murphy and Robbie O’Connor. Meet Ziggy, Florian and MakeMake as they introduce you to a magical place hidden in plain sight.
Though spoken word and cello an atmospheric evocation of Easter Week in the words of those who went out in 1916. Written and performed by Frank Shouldice ('Grandpa the Sniper') and cellist Frieda Freytag. Soundscape by Sean Higgins.
Though spoken word and cello an atmospheric evocation of Easter Week in the words of those who went out in 1916. Written and performed by Frank Shouldice ('Grandpa the Sniper') and cellist Frieda Freytag. Soundscape by Sean Higgins.
Though spoken word and cello an atmospheric evocation of Easter Week in the words of those who went out in 1916. Written and performed by Frank Shouldice ('Grandpa the Sniper') and cellist Frieda Freytag. Soundscape by Sean Higgins.
Though spoken word and cello an atmospheric evocation of Easter Week in the words of those who went out in 1916. Written and performed by Frank Shouldice ('Grandpa the Sniper') and cellist Frieda Freytag. Soundscape by Sean Higgins.
Though spoken word and cello an atmospheric evocation of Easter Week in the words of those who went out in 1916. Written and performed by Frank Shouldice ('Grandpa the Sniper') and cellist Frieda Freytag. Soundscape by Sean Higgins.
It's the funeral of someone important to him, and Connor wants to practice reading the eulogy. Unfortunately, his sister has other plans. Despite being stuck in the back room of a church, loud and rambunctious Fiadh takes Connor on a blast through the past of the life they shared, from childhood forts to teenage discos. Unfortunately, struggling with anger and grief by turns, Connor is having none of it. A boisterous and poignant dark comedy, 'And Tomorrow I'll Dance With You' explores sibling relationships, the magnitude of grief, and how we keep living after loss
Secrets, Betrayal and Altar Wine. As the school year comes to an end, Peter and Michael are thinking about the important things in life; the football final, how to steal their cigarettes back from Mr McDonagh and their lives once they leave.
But they have a secret that could destroy them. When Peggy arrives at their all-boys school-jealousy strikes and the boys get sloppy.
What will happen if their secret gets exposed?
A woman wakes after a boozy night out to find her infant child dead in its cot. The fallout is devastating. Her marriage ends. She is overwhelmed with guilt. What kind of mother must God have her marked down as.. Didn’t she abandon her baby? Isn’t that what happened in the, mother and baby, homes? Has God painted her with the same brush? But didn’t her own mother, through alzheimers abandon her? And didn’t she in turn abandon her own mother by sticking her in a home? The mental torture and guilt conjures up a character from the mother and baby homes. And it's through this character, Gas Ticket, that relief and great fun is found.
In 1999, Dublin, Ireland, AISHA, an erudite and idealistic young African Irish woman is confined to her house by a religious and controlling father (known to us only as MAC). AISHA’s only connection to the outside world is a conflicted outsider nicknamed “ENZO” who regularly clambers through AISHA’s bedroom window to talk about his dissatisfaction with his prospects, his family and his friends. Both ENZO and AISHA dream of escape, but each will need the other’s encouragement to emerge from this “unhinged triptych”. “Now What?” revolves around the intense relationship of the two troubled and savvy teenage protagonists. The “Maiden in the Tower” trope is repurposed to explore the locked-in/locked-out crises often experienced in early adulthood as well as themes like fear, choice, abandonment and personal responsibility.
