by Saoirse Anton

To The Theatre,

It has been a whole year since the safety curtain fell. Four seasons, twelve months, almost fifty-two weeks to the day. When any of us sat down in an auditorium seat last March, did we know that it would be the last time for over a year that we would sit shoulder to shoulder with a stranger, united in the collective experience of a play?

It has been a difficult year of abrupt stops, false starts, and yet more stops. I ache to be back in an auditorium, and auditoriums remain achingly empty. But despite the sometimes seemingly constant barrage of bad news over the past twelve months, that is not what this letter is about. No, I am writing to celebrate the tenacity, solidarity and creativity that the theatre industry has shown since stages went dark last March.

Because, though doors closed, offices were swapped for kitchen tables, lights were switched off in venues, and Zoom with a capital Z was shoehorned into our vernacular, the ghost light never went out. I wrote in this column last March that “companies, venues and individual artists have had steam coming out of their ears with the speed at which they have been thinking up new ways to bring the joy of theatre to everyone in their homes,” and they haven’t stopped. From ballet performed at home in bath-tubs, to live streams of brilliant plays, and outdoor performances on greens and balconies, to new works created for new online platforms, people’s creativity and resilience in the face of seemingly insurmountable obstacles has been incredible.

Though normal life as we knew it ground to a halt in March 2020, my colleagues in the industry refused to let that put the chocks under their wheels. With supportive hands and generous hearts, the theatre industry has kept creating, kept connecting. And so, this is my standing ovation for you all. No, it’s not the curtain call, but over the past year you have all performed a stand-out, showstopper of a number that deserves a round of applause all of its own.

None of us could have imagined we would still be in the midst of this pandemic a year later, but the show will always go on. I finished my March 2020 column with these words, and they still stand today, “let the glow of the ghost light remind us that when this passes, our auditoriums will be filled with the smell of the greasepaint and the roar of the crowd once more.”

Until opening night,

S